ANGELA LEONARDI
Film maker
documentary editor
Angela Leonardi has been a television documentary editor for the last 15 years and worked on many award-winning ‘Australian Story’ episodes at the Australian Broadcasting Corporation.
With a love of film-making and a passion for architecture, Angela enjoys collaborating with architects to create evocative films that showcase their work.
Her recent architectural film “Keperra House: A Suburban Odyssey” was published on Dezeen and screened at the 2019 Milan Design Film Festival.
2022
Architecture by John Ellway
Produced, directed & edited by Angela Leonardi
Photography by Mark Leonardi & Angela Leonardi
Music by Joe Kraemer: Children's Pizzicato
2021
Architecture by John Ellway
Produced, directed & edited by Angela Leonardi
Photography by Mark Leonardi & Angela Leonardi
Music by Orlando Jopling: Rainsong
Architecture by Atelier Chen Hung
Film by Angela Leonardi
2018
Architecture by Atelier Chen Hung
Produced, directed & edited by Angela Leonardi
Photography by Mark Leonardi & James Hung
Typography by Dan Pike
“The Blue Danube” composed by Johann Strauss II (licence)
INSTAGRAM EDIT WITH VOICE OVER
2018
Architecture by Atelier Chen Hung
Produced, directed & edited by Angela Leonardi
Photography by Mark Leonardi & James Hung
Typography by Dan Pike
FILM CREDITS
Produced, edited & directed by Angela Leonardi – https://www.instagram.com/ahleonardi
Photography by Mark Leonardi & Angela Leonardi – angelaleonardi.abc@gmail.com
Music by Autumn Keys: l u v t e a (acoustic revisit) Licensed under CC BY-AS 3.0 – https://www.autumnkeys.com/luvteaacoustic . PROJECT INFORMATION
Photos – http://www.jellway.com/terrariumhouse Instagram – https://www.instagram.com/explore/tags/je_terrariumhouse/ .
DESCRIPTION
Terrarium House was created by bringing together layers of memories from the owners' childhoods and their travels through adult life. It began as an exercise in pragmatics, managing problematic site conditions and a 100-year-old cottage crumbling into a backyard jungle. Sitting halfway up the ridge of the inner-city Brisbane suburb of Highgate Hill, the cottage's backyard is oriented perfectly towards the north. Retained on the front boundary, the land falls around 2.5m from footpath to yard. The change in level means that the former one-bedroom cottage could grow by inhabiting the open under-croft below. The streetscape, and the cottage's relationship to its twin neighbour, would remain intact without raising the house. Entering from footpath into a private world through a secure vine-covered screen, the former front verandah now contains protected external stairs. A lush tree and fern filled void draws you down the stairs to the living area below. The lower level with laundry, bathroom, meals and lounge has been designed and detailed to conjure memories of the former shadowy under-croft. Black stained ceilings create compression as you enter from garden in the bottom of the front void. Concrete floors, rendered walls and perimeter ledge make you feel grounded, sitting ever so slightly below the garden level in a breezy cool under-croft, not sure if you are inside or out. The lower level can be enclosed by timber framed sliding doors to the north and south, both of which, when open, become invisible, sliding behind external walls. A solid wall to the west protects the space from afternoon sun. Fine textured glass to the east captures winter morning sunlight, while the lush planting casts shadows and flickers dappled light into the living space. This is a space sitting in shadow allowing retreat from the intense Queensland light. Above are the more private rooms of the house. Access is back up the protected external stairs and inside the original cottage door. The front two rooms open to a common hallway space, making a larger room for children to play and grow up together. For privacy, large floor-to-ceiling sliding panels can close separating, containing and creating a retreat space in these bedrooms. Off the hallway is a shared bathroom with semi-transparent polycarbonate roof, letting in light and the sound of rain. The third bedroom sit adjacent to a large void in the rear north east corner of the house. The connection of the two levels enables chatter and activity. Passive surveillance and communication extends to the street from most parts of the house via glimpses through the vine-covered screen to walkers by. From season to season the house can be adapted as required. In winter a large panel slides to enclose the rear void. In summer deep eaves protect the north from the sun. The large panel is left open allowing breezes to flow through the house and out though the screen to the street. . STATS Site area: 215sqm Internal area: 105sqm External area: 15sqm Completed: 2017 .
CREDITS
Builder: Mat Saggers – https://instagram.com/matsaggers
Engineer: Josh Neale – http://westerapartners.com.au
Still photos: Toby Scott – http://tobyscott.com.au
Cabinetry: Mast Furniture – https://mastfurniture.com.au
Steelwork: Ash Brown – https://instagram.com/ash_brown_db
Joinery: Allkind – https://www.allkind.com.au
Appliances: Fisher & Paykel – https://www.instagram.com/fisherpaykelau .
AWARDS
Dulux Colour Awards 2018 – https://architectureau.com/articles/finalists-revealed-2018-dulux-colour-awards/
Houses Awards 2018 – https://architectureau.com/articles/2018-houses-awards-shortlist-alteration-and-addition-under-200m2/
2018
Architecture by John Ellway
Film Produced, directed & edited by Angela Leonardi
Photography by Mark Leonardi & Angela Leonardi
Music by Autumn Keys: l u v t e a (acoustic revisit)
Licensed under CC BY-SA 3.0